Bss Minidrive Manual Free Full EPub

File Name:Bss Minidrive Manual Free Full EPub.pdf ENTER SITE »»» http://gg.gg/12hcfg ««« DOWNLOAD PDF CLICK HERE »»» http://chilp.it/3d66439 ««« BOOK READER Size: 3976 KB Type: PDF, ePub, eBook Uploaded: 18 May 2019, 21:25 Rating: 4.6/5 from 740 votes. tatus: AVAILABLE Last checked: 1 Minutes ago! eBook includes PDF, ePub and Kindle version In order to read or download Bss Minidrive Manual Free Full EPub ebook, you need to create a FREE account. ✔ Register a free 1 month Trial Account. ✔ Download as many books as you like (Personal use) ✔ Cancel the membership at any time if not satisfied. ✔ Join Over 80000 Happy Readers However, by leaving out the more advanced features in the Omnidrive, BSS has achieved dramatically lower prices, ensuring that Minidrive is suitable for a range of applications for which an Omnidrive would simply not have been affordable. The Minidrive is available in two models, the FDS-334T (with 2 inputs and 4 outputs) and the FDS-336T (with 2 inputs and 6 outputs). The FDS-336T is able to drive a stereo 3-way system, and is expected to find favour in the front of house rack, while the FDS-334T is expected to be at home in the monitor rack. Up to 38 bands of filtering are available in each unit. As an added bonus, the Minidrive can be controlled by SIASoft's Smaart Live analysis program, allowing the installer or engineer to create systems with integrated measurement and processing. Individual Minidrive outputs can also be run full range. With the low price of the units, this means that they are highly suited to use as zone controllers for convention centres, ballrooms, under-balcony feeds or downfills with EQ and delay, or for replacing several traditional analogue units in an installed sound system in just one rack space. Data is shown on a bright blue LCD display, with data entry via a parameter wheel. Input and output level meters are an immediate comfort for the engineer, and individual output band mute keys are provided. Together, these make the Minidrive more convenient and faster to set up and adjust than any DSP unit in its class. For program archiving and storage, use MINISTORE, a PC application that allows you to dump programs from your Minidrive to a PC, arrange them and download any or all programs to any similar Minidrive unit. Each input must have facilities for parametric EQ and delays. Any output may take its feed from any input, including a mono sum of the two inputs. All functions must be accessible through front-panel switches, including independent and directly accessible MUTE buttons and LEVEL TRIM controls for each output. http://www.gintaras.cz/userfiles/cook-manual-pdf.xml bss minidrive manual, bss minidrive 336 manual, bss minidrive manual, bss minidrive manual pdf, bss minidrive manual download, bss minidrive manuals, bss minidrive manual 2017. These LED indicators shall also show when clipping levels are approached. The Output meters shall show levels relative to the limiter threshold of SIG, -20dB, -12dB, -6dB, -3dB, 0 (Limit Threshold) and OVER (signal 6dB over threshold level). The LED meters must at all times show the output signal level, regardless of MUTE condition. The filter types available shall be Butterworth, Bessel, Linkwitz-Riley or WHISEWORKS - NTM, dependent upon slope selected. Each band shall have polarity inversion switching. Each band shall be adjustable for both high and low-frequency roll-off points, individually or in crossover pairs. Delay settings should be set and viewed in milliseconds, feet, metres or frames-per-second (24, 25 or 30 fps). It shall be possible to link bands for relative delays. It shall also be possible to output memories via MIDI to a MIDI storage device. Units must be able to pass data to other similar units using MIDI transfer. The slide manual pot is paradoxal with option for room correction internal process and. Icon Name Last modified Size.BSS-FCS966 Graphic Equaliser. FCS 966 Manual do Usuario - BSS Read more about controle, entrada, malha, sinal, contorno and figura. Eigenschappen:. AMP: CROWN MACRO- TECH 3600 VZ 2de. Strand SOLO 2k Follow spot with 6-frame manual Magazine. Small selection of. BSS FCS966 OPEL DUAL 30 Band Graphic Equaliser. BSS FCS966 EMO Graphic Klark Teknik DN360 LA Audio. Rigging Manual Hoist 500kg. Motor Hoist 500kg 1 BSS Opal FCS 966. EQ grafica 31 bandas. 2 canales. 1 BSS DPR 504. 4 puertas de ruido. 1 TC Electronic. para telones 5 m de largo. Find your 2004 Nissan Altima repair manual right now at Chilton. Nissan Altima, 2007 - 2010. CROWN XLS 202 402 602 ?????? SERVICE MANUAL xls old models service. Service manual rcf art 500-a. DownloadService manual rcf.FCS966: User manual. BSS FCS-966 31 band stereo graphic equaliser. 1. 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Filetype: PDF. Select Document. BSS FCS-966 Constant Q Graphic EQ User's Manual. Filetype:.. GQX3102 y queiro sacarle probecho pero el manual no me (ingles). Hi fcs966 full width. Hi fcs966 tiny square. Bss 960 graphic equalizer 31 band secondhand. BSS FCS 966 Constant Q Graphic Equalizer Stereo equalizer. Auto mode continuously monitors the mix, while manual mode allows individual. BSS OPAL FCS966 DUAL 30-BAND CONSTANT Q GRAPHIC EQ. Features. ( lateral manual fly-bars) pour la mise en place des pendrillons a l'.Reload to refresh your session. Reload to refresh your session. Use this menu to select a different region or language as needed.Use this menu to select a different region or language as needed.As your Partner in Motion Control, we can help you safely and efficiently move your business forward with smart solutions for your high-value problems. Redefining The Future. Please review its terms, privacy and security policies to see how they apply to you. By continuing to use this website, you consent to the use of cookies in accordance with our Privacy and Security Policy. Connect. ManualContents. Safety. Information. 5. Warranty. Getting. Information. 6. Started.Mechanical. Mounting. 7. https://institutolagranja.com/images/canon-ir-c2880-printer-manual.pdf Introduction. WhatControls. Security. UserMinidriveMetering. PortPanelMinidrive. FeaturesPower. Connections. 11. AboutAudio. Connections. 12. Balanced. Controller. Front. Panel. What?sUnbalancedConnections. 13. Interface.NavigationControlNavipad. 15. The. Rotary. Encoder. OutputInputOutputBargraphsOutputUtilities. QuickMute. OperatingStart.Screen. Explanations.Storing. 20. Program. Naming. Lock. Recall. DeleteUtilities. Configuration. MonoChannelLink. 26. StepCrossover. DelayChannelUnits. Offset. 26Security. LockSettingsLock. 28. All. LockConfirming. OwnerLock. LockDeleteNumberInput. Mode. 34. Input. Delay. 34. InputOutputs. Stereo. Linked. Output. Name. Source. Gain. 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You should include a statement listing the faults found. The unit s serial number must be quoted in all correspondence relating to a claim. IMPORTANT We recommend that you record your purchase information here for future reference. Based on BSS Audio's many years of experience building analogue processing devices for the live sound and installed markets, the FDS-366T Omnidrive is an 'all in one' solution for system crossover assignment, EQ, delay and dynamics control. Processing power Using custom designed digital signal processing (DSP) technologies BSS Audio are able to deliver far more capabilities in one box than was realisable from a whole rack of analogue equipment only a few years ago. Also as all the processing on the audio signal is kept in the digital domain added noise and phase anomalies usually expected with analogue equivalents are virtually eliminated. The signals are processed at 24bit, 96kHz resolution to achieve a dynamic range greater than 112dB to ensure the best possible audio quality for your system. Security Moreover, the comprehensive security features included in the FDS-366T enable the unit to be set up with varying degrees of access to its functionality applied and protected by passwords. Indeed the whole unit can be locked totally to prevent tampering, in installed applications for example. Applications The flexibility of the FDS-366T enables it to be employed for many system uses, such as complete 3 way stereo setups or a 2 way LCR combination. Equally FDS-366T Omnidrives can be stacked to run larger 5 and 6 way systems and more. In stage monitor systems the FDS-366T can function as a triple bi-amp crossover with delay, limiters and EQ. On-stage 'hotspots' caused by monitors with identical signals can be eliminated by applying small delays between wedges. Furthermore, the FDS-366T can function as a distribution unit to multizone systems where crossovers may be passive or local to the loudspeaker. In this case, the provision of delays and EQ can radically enhance such a system while reducing both processing costs and required rack space. Upgradeable operating system The system operating software is held in flash EPROM, which means that upgrading to new software is easy - either via PC card or from a PC via the MIDI or RS-232 ports. Memorising Setups 60 internal program locations are available to the user for storing system setups, which may be generic system programs or complete venue settings. These memories may be stored onto a PC card for backup or archiving 12 5.0 Features Individual keys to select input and output channels for editing. Crossover slopes of 6,12, 18, 24 or 48dB per octave. High resolution input and output delays up to 2.6 seconds in approximately 11 microsecond steps. Input LED metering, showing signals from -12dB to clip level, and SIG. Front panel output level trims and mutes. Polarity reverse on each output. Phase adjustment for each crossover point, and phase compensation defeat. PC card port for storage and recall of program settings Electronically balanced inputs and outputs with transformer output option. Alignment Assistant for setting up cabinet driver alignments. Comprehensive system security with control lock out, programmable 'Owner' and 'OEM' locks, and 'Safe' mode available for complete system lock out. Temperature based delay correction. Ltd (registration pending). Manufactured under license from Precision Audio Pty. Ltd. www.fuelignitethrive.com/files/Dodge-Ram-1500-Van-Repair-Manual.pdf International Patents Pending 13 Features Some of the features are explained in greater detail here. 96kHz Sample rate The FDS-366T operates the A-D and D-A converters and the Digital Signal Processing (DSP) at a sample rate of 96kHz. The use of a higher Nyquist frequency enables the audio bandwidth to extend all the way up to 40kHz. With this extra frequency response we have also been able to incorporate more accurate filter sets for a more natural, open sound. There is also benefit from the improved filter response shapes when the nyquist frequency (the maximum frequency of which the DSP can correctly process the signal), moves up from 24kHz to 48kHz. Low-pass filters and bell filters then retain their magnitude and phase response shapes more accurately. Using the AES input the realisable dynamic range is increased to greater than 117dB. Phase matching This feature maintains the inter-band phase relationship true to the crossover type selected (Bessel, Butterworth, L-R etc), regardless of any interference from far-end crossover filtering. In 2-way crossovers, this is not an issue since each band has just one high-pass or low-pass filter. Three or more bands however, cause at least one band to have both low-pass and high-pass filters which react with one another, so disturbing the correct phase relationship at the crossover point. This can result in poor combining of adjacent crossover bands, resulting in an irregular frequency response and non-uniform polar characteristics. The Phase Matching technique used in the FDS-366T eliminates this problem by compensating for these phase anomalies. The phase compensation can be bypassed if not required 14 Alignment Assistant The Alignment Assistant is an advanced loudspeaker measurement function built-in to the FDS-366T for directly measuring the delay and phase relationships between drivers (using a measurement microphone), and automatically adjusting the settings to accommodate these. The Alignment Assistant has the ability to see past the crossover filters, and is thus able to compensate for the drivers and enclosures themselves, leaving the crossovers to do exactly what they were intended to do - presenting a precisely aligned acoustic wavefront. The Alignment Assistant can measure and compensate for: - Physical alignment of drivers within an enclosure. - Driver or enclosure phase anomalies near the crossover point. - Relative distance correction of arrayed boxes. Advanced Limiters Driver protection limiters have always been a balance between protection, transparency and the preservation of maximum power. The all-new limiter algorithm in the FDS-366T not only allows the user the freedom to change the way the compromises are balanced, but introduces several new features which enable the requirements to be met with less sacrifice. - Feed-forward design for better stability. - Adaptive attack, so that attack time is reduced the further over threshold the signal strays. This is actually a soft-clipper which constrains signals which overshoot during the attack phase. The user has adjustable overshoot from 1 to 12dB (and off). - Dual time-constant mode for giving simultaneous protection against short-term mechanical damage or clipping, and longer term thermal damage 15 Features Safe mode The FDS-366T has a hidden function called 'Safe'. 'Safe' mode is intended to be used as a complete lock-out for installations or as the ultimate protection for hire systems etc. When SAFE mode is switched on, all controls are disabled, the screen blanks and the backlight is dimmed. The input and output meters will still display the existence of signal being processed through the unit but no one can change any values within the unit.! Any adjustments made to the gain controls whilst in 'Safe' mode will not be heard until 'Safe' is turned off.! As the 'Safe' mode is intended for ultimate security, the details of its use cannot be published here. Please consult your dealer for further information on Safe mode 16 6.0 Typical Applications FDS-366T j The FDS-366T has three inputs: A, B, C. An internal mono sum of inputs is also available for routing to any of the outputs. Many combination of routing inputs to outputs is available, and the FDS-366T can be configured as a stereo or mono device. The basic configurations are selected in the Utilities and the following examples are based upon these as possible likely setups. Stereo 3-Way with mono sub-bass. Systems can be run in one of two stereo 3-way modes. LLMMHH allows compatability with the 355, now having two low outputs. LMHLMH set up is an alternative, allowing users to choose the setup they are most familiar with. Note: The stereo pairs change appropriately for LLMMHH and LMHLMH modes 17 Typical Applications FDS-366T j Triple Bi-amp (Stage monitors) The FDS-366T can provide 3 channels of bi-amp crossover for monitor racks with EQ, delays, and limiters. With so much EQ available in the FDS-366T, it is easy to assign 12 bands of EQ to the input, as well as EQ to the output bands, saving the need for external EQ. In LHLHLH mode by default, input A feeds outputs 1 and 2, input B feeds outputs 3 and 4, and input C feeds outputs 5 and 6. In this mode, it is possible to remove hot spots on stage. Where the same mix is sent to a number of performers, interaction between wedges can create lobes of high intensity sound causing confusion. Using a fine delay to shift wedge feeds can move these 'hot-spots' to less sensitive areas on stage. LCR cinema systems (3x2-way) A similar configuration to the triple 2-way setup above. 6-Way zoning distribution The FDS-366T can be also be used as a zone distribution system, without using any of its crossover facilities. Using this mode, a common input signal can be routed to up to 6 separate outputs, each with delays, EQ and limiters. Typical uses for this mode would include feeding a number of under-balcony loudspeakers with integral passive crossovers, using the delays of the FDS- 366T for time correction, and EQ for tuning response. For this application set the configuration to Mono and each output should be full range (unless you particularly want to band restrict the outputs). Use the 'Xover Freq' screens in the output channel to set each band edge to be 'OUT' 18 Typical Applications FDS-366T j Mono 6-way In the mono mode, the FDS-366T can provide a full 6-way system. For example purposes only, in the diagram below the first FDS-366T is running a 5 way system with the mono sub bass derived from the sum of inputs A and B. The second FDS-366T has its mono sub bass output fed from a dedicated output on the desk running into input C 19 7.0 Crossover Shapes and Frequencies It is not possible to provide one loudspeaker driver to cover all audible frequencies. Even if the frequency response could be achieved, the large size of the driver required to shift enough air at low frequencies would offer an impossibly directional beam at high frequencies because at small wavelengths, the differing path lengths from the extremities of the diaphragm to the listener would cause cancellations off-axis. Therefore, it is necessary to use more than one driver and to split the bands with an electrical filter or crossover. This filtering can be done by passive, active or digital means, external to or within the loudspeaker cabinet. Ideally, the filtering is done so that when acoustically combined, the drivers produce a constant output across the required range of frequencies. Additionally, the signal phase behavior with frequency should offer smooth transitions across all the drivers to achieve a constant group delay. Another important consideration is that the crossover should control the beaming properties, also known as the polar response, so that listeners off-axis do not hear anomalies in the sound range. Many crossover filter designs do not achieve these goals. Finally, the signal should be quickly attenuated outside the optimum band of operation for each driver to avoid driver anomalies such as resonance and over-excursion distortion at low frequencies. In these instances some crossover shapes have limitations. The FDS-366T allows full control over each high and low pass filter of a crossover segment in shape, slope and frequency. Graphically these parameters are labelled as below. For many years Linkwitz-Riley crossovers have been the 'industry standard' as they offered the best compromise between the parameters discussed earlier. There is an issue with a 3dB peak in the amplitude response at the crossover frequency but this can be corrected with equalisation. This 'tilt' can produce colouration and is dependant on the listening position. Standard Bessel filters when used for crossover duties do not provide immediately acceptable results due to deficiencies in their amplitude response. The filter was developed by Neville Thiele (pronounced Teel ). This filter uses a unique notched response to achieve a very steep roll-off rate outside the passband. There are two choices of NTM crossover included in the FDS-366T; a 4th order (NTM 36) and an 8th order (NTM52). The 8th order version offers the steepest roll-off rate of all.The faster roll-off rates realised by the NTM filter shape enable lower distortion that is particularly valuable in applications where space is at a premium as smaller drivers may be used. Driver and cabinet design constraints are also eased since designers can work closer to the edge where resonance, breakup, or other anomalies may normally occur with more gentle slopes. The new Neville Thiele Method crossover shapes now represent the optimal combination of characteristics for most applications and listening tests seem to bear this out. This table should help to ascertain the particular choice of filter dependant on application. Choosing a crossover alignment that sums to a flat amplitude response is usually desirable because such a system will require less equalisation. Group delay flatness: a measure of how different frequencies are delayed throughout the crossover region. Although it is unlikely that all frequencies can be delayed equally, a smooth group delay response that lacks peakiness is desirable. Polar response: a qualification of the lobing effect due to the distance between any pair of drivers involved in the crossover. The main lobe needs to be onaxis so that listeners on-axis do not hear dips in the amplitude response through the crossover region. Roll-off rate: A measure of how quickly the slope of the filter drops off to a much lower amplitude. A steeper slope is generally required to maximise the potential of driver frequency response and to narrow the frequency range that is affected by the crossover operation 23 Crossover Shapes and Frequencies Phase Compensation Phase compensation to active crossovers was introduced in the classic FDS- 355 Omnidrive Compact Loudspeaker Management System. The FDS-366T Omnidrive includes this feature, freeing the user of worry about phase alignment between bands. More info about Phase Compensation: A properly designed 2 way crossover always exhibits the inter-band phase relationships that are characteristic of the chosen crossover shape. For example, the Linkwitz-Riley filter shape, with its low-pass filter for the low band, and high-pass filter for the high band, will maintain zero phase difference between these bands at all frequencies, which means that the acoustic outputs from the drivers will sum to a flat response, free of any shifting in polar response. In 3 way (or more) systems, things can start to go wrong. The mid band in a 3 way system for example, has not one filter, but two (high-pass, and low-pass).